Pop Reject » movies

Twilight “New Moon” Soundtrack Looks Forking Awesome!

Michelle — Wed, 23 Sep 2009 07:01:53 +0000

Get it? Forking. Like Forks, Washington. The town in Twilight? Oh whatever.

The “New Moon” soundtrack line up was announced this week, and just like the fans, its grown up a bit. Gone are the Paramores, Linkin Parks, Collective Souls… and in their place, the more edgy and eclectic stylings of Thom York, Black Rebel Motorcycle Club, the Editors and Grizzly Bear.

Death Cab for Cutie – ‘Meet Me On the Equinox’
Band of Skulls – ‘Friends’
Thom Yorke – ‘Hearing Damage’
Lykke Li – ‘Possibility’
The Killers – ‘A White Demon Love Song’
Anya Marina – ‘Satellite Heart’
Muse – ‘I Belong To You (New Moon Remix)’
Bon Iver and St Vincent – ‘Rosyln’
Black Rebel Motorcycle Club – ‘Done All Wrong’
Hurricane Bells – ‘Monsters’
Sea Wolf – ‘The Violet Hour’
OK GO – ‘Shooting The Moon’
Grizzly Bear – ‘Slow Life’
Editors – ‘No Sound But The Wind’
Alexandre Desplat – ‘New Moon (The Meadow)’

The immortal Muse survived from the first soundtrack, which is good because they really did get ripped off with that cheesy baseball scene.

Can “Where the Wild Things Are” Possibly Live Up to its Hype?

Michelle — Sun, 06 Sep 2009 07:56:02 +0000

Filter magazine collaborated with “Where the Wild Things Are” director Spike Jonze for a special edition out next week, including a behind-the-scenes look at the film and interviews with soundtrack composer Karen O, star Max Records, screenwriter Dave Eggers, actress Catherine Keener, documentarian Lance Bangs and others, plus never before seen art and photos. Like this:

It there ANYONE not looking forward to this movie? It’s the right story with the right director and the right soundtrack. What could go wrong?

John Hughes Dies: Director of ‘The Breakfast Club’ and ‘Sixteen Candles,’ Dead at 59

Michelle — Fri, 07 Aug 2009 07:36:49 +0000

It’s a cruel cruel summer… John Hughes, director and screenwriter of 80s films that did more for teens’ self image than prozac, died today in New York of a heart attack.

While most pop culture of the 80s have become things of nostalgia, Hughes’ contributions like “Sixteen Candles,” “The Breakfast Club,” “Weird Science,” “Pretty in Pink,” and “Ferris Bueller’s Day Off” continue to be as relevant as ever, clearly due to their wholly REAL characters portrayed by very real actors like Anthony Michael Hall and Molly Ringwald. In fact, the only one who didn’t seem like someone you might actually find in your school was Kelly LeBrock in “Weird Science” – and she was a computer simulated Frankenbabe!

The letter at the end of “The Breakfast Club” sums up best what people will always love about John Hughes’ films (omg spoiler alert?):

…You see us as you want to see us… In the simplest terms and the most convenient definitions. But what we found out is that each one of us is a brain and an athlete and a basket case, a princess and a criminal.”